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Upcoming events

June 7, 9 & 16 2024 (Madrid)

Salto Moral (Show)| La Usina

July 29 - August 2 2024 (Amsterdam)

Dance & floorwork intensive (dance workshop) CREA

August 3 2024 (Amsterdam)

Dance Theater (workshopCREA

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Entrevista en La Estrategia del Caracol

 

"La claridad y limpieza del vocabulario físico en la obra me impresionó y fue un constante dentro de una propuesta de temática compleja."

- Laura Kumin, Performing gender, Aerowaves
 

"Muy creativo y potente.

Una obra original, Conmueve. Incita a la reflexión. Necesaria en estos tiempos. Inolvidable. Ojalá pudiera verse en más escenarios."   

- Dafne (público Entradium)

 

"Impactante. Gran espectáculo que provoca e invita a reflexionar sobre las implicaciones de la IA en el devenir de la humanidad. Sandra es una artista tremenda con un manejo increíble de la expresión corporal."   

 - Gonzalo (público Entradium)

also happenning

Classes of Corporal technique and Dance Improvisation for musicians

at Centro Superior Katarina Gurska

Yoga classes at Barquillo Yoga, Be art Yoga

and YogaOne Goya and Diego de León

Past events

"During Dictatorship of Love Sandra Kramerová succeeds in arousing the suggestion of a mass choreography ★★★★
The Love clearly splashes from the motor skills, smiles and proudly raised chins."

- Annette Embrechts, Volkskrant

"Sandra’s work is a bright light, a searing, physicalization of our contradictory lives."

- David Neumann, choreographer and director 

February 16 2023: | Evertshuis (Bodegraven)

January 19 2023: | Podium Bloos (Breda)

"During Dictatorship of Love Sandra Kramerová succeeds in arousing the suggestion of a mass choreography ★★★★
The Love clearly splashes from the motor skills, smiles and proudly raised chins."

- Annette Embrechts, Volkskrant

January 16 2024: | S'DANS (Schiedam) show and workshop

"Discipline, perseverance, dedication - Kramerová shows and feels it convincingly." 
Jacq. Algra Het Parool

"Amazing how Sandra Kramerová conjures up all those socialist gender roles ★★★★

Her consistent performance in the minimal decor of the solo performance 'Majka' is impressive."

- Annette Embrechts, Volkskrant

"In the gripping choreography Majka, Sandra Kramerová goes in search of the 'ideal' manifestation of women in 1970s Czechoslovakia. The result is a direct confrontation with universal archetypes."

- Karima Aissaoui, Theaterkrant

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"Creating a character that makes you feel really involved as an audience, that's what dance maker Sandra Kramerová is very good at. Her solo performance Majka drags me along from the start. But it is precisely because she performs her choreography so strongly that I am left with the feeling that I am missing something. That is a wonderful experience."  - Maarten Baanders, Cultuurpers

"In Majka the Slovak choreographer Sandra Kramerová gives a powerful twist to images of women from commercials and political propaganda." 

"Kramerová is now alone on stage, but together with a strong team in the wings, decor, video, light and sound they form a convincing synthesis."

"Thanks to strong body control, timing and articulation, an image of a rather idiosyncratic type gradually emerges."  Jacq. Algra, Het Parool

“Sandra dances history, she celebrates survival, she is the winner. But a winner of history never forgets the fight, that's what Sandra tells us in her dance: the history that has not crushed us. ”

- Mira Feticu, writer and columnist

“Sandra knows how to move me as a spectator with her powerful and energetic body language. She knows how to translate her personal motivation and inspiration into performances that carry a universal layer and thus tells stories that touch them. Her Eastern European heritage is tangible and guiding for her work and transcends cultural and social norms through dance performances and shows a wealth of human beings. ”

- Igor Vrebac, Bosnian / Dutch theater maker

Body as a Weapon among top 5 performances of 2020 by Het Parool

"I believe Sandra refracts ideas around themes of identity, power, and body within social and political contexts in a thought-provoking way and crafts them formally into structures that invite universal conversations that are today, for better or worse, exceptionally timely." - Pavel Zuštiak, Slovak / American choreographer

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