"For me, dance highlights the paradoxes of life, where the spectacular and the rigorous can coexist. I see dance as an act of experiencing visual, dramatic and physical tension. The one that grabs you and doesn't let go, making you question and reimagine what you thought you knew."
La Estrategia del Caracol

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"Sandra’s work is a bright light, a searing, physicalization of our contradictory lives."

David Neumann, choreographer and director 

"Creating a character that makes you feel really involved as an audience, that's what dance maker Sandra Kramerová is very good at. Her solo performance Majka drags me along from the start. But it is precisely because she performs her choreography so strongly that I am left with the feeling that I am missing something. That is a wonderful experience." 

Maarten Baanders, Cultuurpers
 

"In Majka the Slovak choreographer Sandra Kramerová gives a powerful twist to images of women from commercials and political propaganda." 

"Kramerová is now alone on stage, but together with a strong team in the wings, decor, video, light and sound they form a convincing synthesis."

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"Thanks to strong body control, timing and articulation,

an image of a rather idiosyncratic type gradually emerges." 

Jacq. Algra, Het Parool

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"I believe Sandra refracts ideas around themes of identity, power, and body within social and political contexts in a thought-provoking way and crafts them formally into structures that invite universal conversations that are today, for better or worse, exceptionally timely."

Pavel Zuštiak, Slovak / American choreographer

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“Sandra dances history, she celebrates survival, she is the winner. But a winner of history never forgets the fight, that's what Sandra tells us in her dance: the history that has not crushed us. ”

Mira Feticu, writer and columnist

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“Sandra knows how to move me as a spectator with her powerful and energetic body language. She knows how to translate her personal motivation and inspiration into performances that carry a universal layer and thus tells stories that touch them. Her Eastern European heritage is tangible and guiding for her work and transcends cultural and social norms through dance performances

and shows a wealth of human beings. ”

Igor Vrebac, Bosnian / Dutch theater maker​