Reviews

MAJKA

"Nice how Sandra Kramerová conjures up all those socialist gender roles ★★★★

Her consistent performance in the minuscule decor of the solo performance 'Majka' is impressive." Annette Embrechts

"In the gripping choreography Majka  , Sandra Kramerová goes in search of the 'ideal' manifestation of women in 1970s Czechoslovakia. The result is a direct confrontation with universal archetypes."

"Kramerová succeeds here in giving the uncontrolled a hopeful beauty." 

"Here too Kramerová manages to symbolize the pressure of political expectations with almost oppressively powerful dance." Karima Aissaoui

"Creating a character that makes you feel really involved as an audience, that's what dance maker Sandra Kramerová is very good at. Her solo performance Majka drags me along from the start. But it is precisely because she performs her choreography so strongly that I am left with the feeling that I am missing something. That is a wonderful experience." Maarten Baanders

"With multimedia projects I focus on creating a complete theater experience and I dig into the cultural background of Eastern European heritage. I have lived abroad for twelve years, from Israel to New York and now here. That gives me a good mix of points of view with which I can reflect on my culture and bring it into my dance work."

Body as a Weapon

"Discipline, perseverance, dedication - Kramerová shows and feels it convincingly."  Jacq. Algra

"With the piece hovering between a tribute and a commentary, Kramerová does a good job at making us feel her simultaneous shame and joy."

 "The dominant thread of the piece, reinforcing the political value of the body, is precise and well crafted." Lucia Fernández-Santoro

LADIA

LADIA, From Stage to Screen
Article about the making of
LADIA, published by Editorial/Universidad politécnica de Valencia

Multimedia masterclass in Split, Croatia