Sandra Kramerová is an Amsterdam-based dance artist of Slovak origin with international experience from Slovakia, Israel and New York. Supported by Fonds Podiumkunsten within Nieuwe Makers Regeling (New Makers Scheme), in collaboration with Theater de Generator in Leiden, Sandra makes strong physical work inspired by her cultural background.
Aspiring to create immersive theatrical experiences Sandra works with movement, video, visuals and text. Her multimedia dance Body as a Weapon was listed among 5 best performances of 2020 by newspaper Het Parool (Dutch regional daily newspaper) and her latest project MAJKA, in which an alien girl encounters eastern European womanhood, is touring over The Netherlands and Slovakia.
Sandra's dance work has been presented at Frascati, CC Amstel, Pleintheater and Dansmakers in Amsterdam, Theater De Generator in Leiden, Schuur in Haarlem, Maaspodium in Rotterdam, Theater Kikker in Utrecht (NL), Dixon Place, BAM Fisher, Danspace Project, The Secret Theater and National Bohemian Hall in New York (US) and Nu dance fest in Bratislava and Malý Berlín in Trnava (SK) .  
 
Before arriving in The Netherlands in 2018, Sandra premiered her evening-length debut GAME ON! at Dixon Place in NYC and produced Dance Film LADIA (2017).
LADIA, based on original stage choreography and directed by Álvaro Congosto, screened at festivals such as Cinedans and San Francisco Dance Film Festival (with awards from BRAGA International video dance festival, Festival de Corporalidad Expandida, Portland Dance Film Fest, ARTS TRIANGLE and Rollout Dance Film Festival).
Sandra's professional education includes MFA in Dance from Sarah Lawrence College in NY, Kibbutz Contemporary Dance Company's International Dance Program in Israel, BA in Choreography from University of Performing Arts in Bratislava, Slovakia and 800-hour Yoga alliance certification from Yogea Artflow Center in New York.
Sandra also teaches modern dance and choreography project at CREA Amsterdam.

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"Sandra’s work is a bright light, a searing, physicalization of our contradictory lives."

- David Neumann, American choreographer, director and performer

(Juilliard, three Bessie Awards recipient)

“Sandra dances history, she celebrates survival, she is the winner. But a winner of history never forgets his fight, that's what Sandra tells us in her dance: the history that has not crushed us. ”

- Mira Feticu, writer and columnist

“From Sandra Kramerová I saw About dance, Fireflies and the end of the world as we know it and Body as a weapon. Both times I was very pleasantly struck by the great substantive eloquence of her work. With dance she manages to connect with a very broad need of the public to explain itself to the social phenomena of our environment, which for me indicates a special talent for making dance that is in demand. ”

- Tom Helmer, dramaturg Theater Bellevue

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Body as a Weapon

December 9 2020: | Theater de Generator (NL)

September 6 & 7 2020: | Amsterdam Fringe Festival (NL)

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“From Sandra Kramerová I saw About dance, Fireflies and the end of the world as we know it and Body as a weapon. Both times I was very pleasantly struck by the great substantive eloquence of her work. In the international dance field of emerging makers like I got to know at festivals such as Something Raw, Spring, Batard (Brussels) and BMotion (Bassano, IT), great substantive aspirations are communicated in the performance descriptions, but the result on the floor remains hermetic.

Sandra is not bothered by that. The substantive aspect has a very prominent place, but she is able to handle it and to turn it into a visual and strong whole that really makes you think. With dance she manages to connect with a very broad need of the public to explain itself to the social phenomena of our environment, which for me indicates a special talent for making dance that is in demand. ”

- Tom Helmer, dramaturg Theater Bellevue

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MODERN II

TUESDAY

17:00-18:15

MODERN III

TUESDAY

18:30-19:45

Choreography Project

TUESDAY

20:30-22:30

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